The
simple answer to the question what
inspired me to start writing is reading. The more I read, growing up, the more I was captured by the power of the written word; particularly by the truth that has been given the name fiction. I have always found writing to be my
preferred instrument of expression and creativity; I realized early on that I was more proficient with a pen than I was with a guitar or a paint brush. Poetry, lyric writing, journalism, and ultimately
book length fiction.
In the days before self-publishing the question put to published novelists by writers hoping to be published was how do you do it. I often asked the question myself, and have been asked the same question many times. My simple answer is I really don't know. All I can do is relate what happened.
The
summer of 2000 found this Italian-Russian Brooklyn boy working in an office in
Columbia, South Carolina. A fish out of
water. In the evenings I would write,
working on my first full length novel. And
then one day it was complete. Now what.
It
was literally impossible to get a traditional publisher to look at the work
unsolicited, so I was forced to go the
prescribed route; attempting to find a Literary Agent who would champion my
novel. All of the agencies I researched
would only accept query letters;
would not even take a peek at a chapter or two.
If I imagined I could write a good book; I learned quickly that I could not write a convincing query
letter. The responses were short form
letters which all said basically the same thing. Thanks but no thanks.
When
Van Morrison was asked what would you do
if you never sold a song or a record he answered without hesitation that he
would not stop creating because, he confessed, I can’t not write. Vincent van Gogh said If you hear a voice within you say 'you cannot paint', then
by all means paint, and that voice will be silenced.
Determined
to thwart discouragement, I did the only thing I could think to do. I sat in front of an archaic Dell desktop PC
and began to fill in a blank page.
I
wished to write something unlike what I had written before. I wished to take my mind off rejection. Without much premeditation it began as a first-person
narrative set in the office of a San Francisco private eye; and displayed humor
that had been absent from my earlier efforts.
I wrote ten pages.
How
a new work of fiction begins is as important to the writer as to the reader.
For the writer, the opening pages are the seeds that will hopefully grow into a
personally satisfying and coherent literary journey. They are the cornerstone. For the reader, the
opening pages are the hook that will hopefully inspire the fellow traveler to
continue on that journey. When I face the blank first page I approach it as a
quest, consciously or unconsciously, and try in time to reach some hidden treasure by
the end of the excursion; with many detours and side steps along the way. I do not know the final destination when I
begin; the characters are created initially as composites of people I have known,
and are fleshed out by their human responses to events. The
plot develops as a consequence of how these characters react, and is secondary to the characters since it is
the people in a story that have always interested me most as a reader; and I get to know these characters more and
more clearly as they move through the story.
In a series, such as the Jake Diamond books, there is the opportunity
for the writer, as well as for the reader, to learn more about repeating
characters in subsequent installments. Plotting
is extremely challenging, but when
the theme of the work finally dawns
on me, when I finally realize what it is that I am really writing about, plot
offers direction. When I finally understand where the story is headed, I often need
to back up to discover the path I have to be on to get there. But at the start, when I begin, my books have
always been initiated with a scene; one that will hopefully be recalled
throughout the book, by myself and by the reader, as the circumstance that
launched the expedition.
A
few days after the barrage of rejection letters I was surfing the internet
(more like rowing back in the days of dial-up) when I stumbled across the St.
Martin’s Press/Private Eye Writers of America contest for Best First Private
Eye Novel. I decided immediately that I
would finish a private eye novel and submit it before the deadline, which was
less than a month away. Apparently for
the book’s characters and dialogue, and certainly not for its convoluted plot, Catching Water in a Net was chosen for
the award. The prize was publication by
St. Martin’s (after a considerable amount of editing) and an advance
against royalties. Holy smoke.
Exactly
one year later I received a final hardback copy in the mail. It was a wonder to behold, and a thrill to
hold. The novel was released on October
1, 2001; less than a month after 9/11, making my first Bouchercon World Mystery
Convention both an exhilarating and somber occasion. SMP gave me two more shots before deciding
that the Jake Diamond series, though well received by critics and readers
alike, was not what they considered a cash
cow. I continued to write, of
course, what other choice did I have; but the work seemed destined to remain out
of the public realm. And then, the net
held water once again when Down & Out Books reached out to me and gave Jake
Diamond and J. L. Abramo a second shot.
Over
the course of eighteen months, D & O re-issued Catching Water in a Net, Clutching at Straws and Counting to Infinity as eBooks and
published the stand-alone crime thriller Gravesend
in eBook and trade paperback. A prequel
to the Jake Diamond series will be released in early 2013; and I am currently
putting the finishing touches on a fourth Diamond novel.
We
write, we paint, we sing because we need to.
And if we are persistent, and honest, and lucky, perhaps we can catch
water in a net and reach an audience. We keep clutching and counting. And we keep writing.
